Lesson 49: Diatonic 7ths
This lesson teaches the
diatonic 7th chords, which are used in
the chord progressions in many songs.
Before taking this lesson, you should know:
The
diatonic 7th chords are the obvious combination of two ideas:
diatonic triads and
7th chords.
As you know, the
diatonic triads are
3-note chords built on the
scale degrees of the song's key:
-
Degrees 1, 3, 5
-
Degrees 2, 4, 6
-
Degrees 3, 5, 7
-
etc.
The
diatonic 7th chords are just
4-note chords built the same
way:
-
Degrees 1, 3, 5, 7
-
Degrees 2, 4, 6, 8
-
Degrees 3, 5, 7, 9
-
etc.
If you understand how we figured out the diatonic triads, then you could
figure out the diatonic 7th chords yourself, so I won't go through that
process here, I'll just show the results:
The Common Major-Key Diatonic 7th Chords are:
Imaj7 IIm7 IIIm7 IVmaj7 V7 VIm7
(That's "one major seven, two minor seven, three minor seven,
four major seven, five seven, six minor seven".)
The Common Minor-Key Diatonic 7th Chords are:
Im7 ♭IIImaj7 IVm7 Vm7 ♭VImaj7
♭VII7
(That's "one minor seven, flat-three major seven, four minor seven,
five minor seven, flat-six major seven, flat-seven seven".)
Here are charts of these chords in the common keys:
How These 7th Chords Are Used
Diatonic 7th chords aren't usually just thrown into a song with triads for "no
reason". They're usually used one of these ways:
"Jazzy" styles. In jazz, 7th chords (and even more complicated chords)
are usually used everywhere instead of triads. 7th chords are also often the
usual chords in "jazzy pop" styles like
soul and
disco. In
fact, you can make a simple "jazzy version" of a
triad-based song just
by changing all the diatonic
triads to diatonic
7th chords.
To create a melodic line. In pop styles, an occasional 7th chord might
be used because it creates a
strong melodic line. This melodic line
might be in the actual
melody, or in the
bass line, or in an
inner voice in the chords. A "strong melodic line" usually means a
line that either:
-
Repeats the same note; -or-
-
Ascends or descends stepwise for 3 or more notes
To explain the melody. Sometimes, the
instruments are just
playing a triad, but the
melody is singing the 7th of the chord, and
the easiest way to explain why the melody note "works with the chord" is to
just say that the "analysis chord" is a
7th chord, even though the
"instruments chord" is just a triad.
Exercises
You can add these activities to your
writing exercises (from
Lesson 2: Practicing Songwriting):
-
Practice playing them. Make a list/chart, keeping track of how fast
you can play these sequences, in both major and minor keys, in every key.
When you can play them all at 120 BPM, you'll know them pretty well.
-
Analyze chord progressions. Analyze the chord progressions in other
people's songs, and when you find a 7th chord, see if you can explain it
with one of the "reasons" above.
-
Analyze melodies. When you're analyzing melodies (see
Lesson 48: Embellishing Tones), watch for
when the best way to analyze a melody note is to just change the song's
triad chord to a 7th chord as the "analysis chord".